There is more to Perry Como than meets the ear, even on records. In a career not actually of great length, though of great consistency in both popularity and quality of vocal product, the unfrocked barber from Canonsburg, Pa., has assumed the dimensions of a well-behaved legend in show business. His creamy voice is signature enough, but there are other components of the Perry Como Legend, which add luster and reputation and respect to the voice itself.

Psychologically, most of his listeners look upon the voice of Perry Como as something extra special, for it is the sound of one who has become known in Show Business as "Mr. Nice Guy." This is a title not bestowed capriciously. There are lots of amiable, genial, cheerful, smiling, carefree countenances, in the entertainment trades, but few which carry their surface virtues home, and their finest homely virtues onto Broadway.

Perry’s importance is based first and foremost, of course, on his creamy tones, his veteran manner with a song, his "style," now so easily recognizable. But into that rich syrup of a voice has been poured by his listeners’ or TV viewers’ admiration the Complete Perry Como — the fine voice plus the fine fellow and the homebody, and the good father, the fellow who has simplified his life while making it more important, who has deepened the impact of his performances while making them seem so thoroughly effortless.

Perry’s So Smooth includes tasteful popular anthems to be pressed into this fine anthology. They are exceptionally welcome pop items in each case, but together, improved in the sauce of Perry’s rich tones, they make a specifically nifty lineup. If you were to get a representative musical group of browsers among the finer "standards" they likely would agree to a man on every one of the enclosed. The total result is Pure Perry Como, all of his niceness and talents and taste herein supplied, and therefore, So Smooth.

The arrangement of the music on this tape allows for a 5-second pause between selections and is heard in the following order:

Track No.1
It's a Good Day
As Time Goes By
I've Got the World on a String
My Funny Valentine
For Me and My Gal
I've Got a Right to Sing the Blues
 
Track No.2
Breezin' Along with the Breeze
It's the Talk of the Town
You Do Something to Me
It Happened in Monterey
One for My Baby
In the Still of the Night
 
Jack O’Brien
Well-known newspaper columnist
Copyright 1956, Radio Corporation of America

Vinyl Version
Recorded at Webster Hall, New York City
With Mitchell Ayres' Orchestra and The Ray Charles Singers
Arrangements by Joe Lipman, Joe Reisman and Jack Andrews
Recorded January 20th, 25th and February 8th, 17th, 1955
Album notes by Jack O'Brien, Newspaper Columnist
All tracks are monaural

Composer Index
A Perry Como Discography 
& Digital Companion

RCA Victor Memorial| Site Links | All AlbumsAll Songs | The Recording Sessions |

First Edition Summer 1992
Second Edition Christmas 1993
Web Page Edition Christmas 1997
25th Anniversary Revision November, 2017
Digital Upgrade August, 2018
July 2026 Revised Edition
 
Made in Canada!
 
George Townsend
HQV Selekt Group
3 Seaview Avenue
Wolfville, Nova Scotia B4P 2G3
Canada
 
Telephone: (902) 698-9848

George TownsendSing to Me Mr. C.

Saturday, July 25, 2026

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